Sunday, October 2nd at 9:00am
Signing at Brooklyn Book Festival at the Theater Communications Group
Friday, October 7th
Conversation with one of my favorite all time poets, Sharon Olds, at McNally Jackson Seaport, celebrating her new book Balladz.
Becky Nurse of Salem begins previews on October 27 at Lincoln Center Theatre
BECKY NURSE OF SALEM, a dark contemporary comedy by Sarah Ruhl, follows Becky (Deirdre O’Connell), a modern-day descendant of accused witch Rebecca Nurse in Salem. Becky, who works at the local witch museum, seems to be dogged by bad luck. Is it a curse from her past? Or her inability to navigate her present? Looking for love and redemption through spells, pills, and a bartender named Bob (Bernard White), Becky is a contemporary pilgrim for the Lock Her Up era. A play about the legacy of misogyny, witchcraft, and even Arthur Miller, Becky Nurse is a truth-teller for our times. Directed by Rebecca Taichman.
GOODREADS giveaway of SMILE through October 11!
Smile, The Story of a Face
by Sarah Ruhl
At the height of her career, with her first play opening on Broadway, and a happily married mother of three, Sarah Ruhl had just survived a high-risk twins pregnancy when she discovered the left side of her face completely paralyzed. She is assured that ninety percent of Bell’s palsy patients see spontaneous improvement and experience a full recovery. Like Ruhl’s own mother. Like Angelina Jolie. But Sarah is in the unlucky ten percent. And for a woman, wife, mother, and artist working in theater, the paralysis and the disconnect between the interior and exterior brings significant and specific challenges. So Ruhl begins an intense decade-long search for a cure while simultaneously grappling with the reality of her new face—one that, while recognizably her own—is incapable of accurately communicating feelings or intentions.
In a series of piercing, witty, and lucid meditations, Ruhl chronicles her journey as a patient, wife, mother, and artist. She explores the struggle of a body yearning to match its inner landscape, the pain of postpartum depression, the story of a marriage, being a playwright and working mom to three tiny children, and the desire for a resilient spiritual life in the face of illness.
Brimming with insight, humility, and levity, Smile is a triumph by one of America’s leading playwrights. It is an intimate examination of loss and reconciliation, and above all else, the importance of perseverance and hope in the face of adversity.
*Please contact her publicist, Anne Tate Pearce, at email@example.com
if you would like to schedule an engagement with Sarah.
Love Poems in Quarantine
by Sarah Ruhl
About the Book
Writing from and toward “the endless desire / to be at home in the world,” Sarah Ruhl wrote Love Poems in Quarantine to mark the passage of time when all familiar landmarks disappeared. From the dawn of the COVID-19 pandemic, to the murder of George Floyd, to months of simultaneous quarantine and protest, this is—in free verse and form, lamentation and meditation—a book of days, a survival kit for spiritual malady. These poems find small solace in domestic absurdities. Even in global crisis, there is the laundry. The dog rolls in something putrid, the child interrupts a Zoom meeting, and dinner must get made, again and again. Using language to travel and touch when bodies could not, Ruhl has drawn with great care a portrait of a year unlike any other in history.
*Please contact Tuesday Agency at firstname.lastname@example.org if you would like to schedule a speaking engagement with Sarah for Love Poems in Quarantine.
"Great Performances at The Met"
About Eurydice the Opera
"The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the Underworld, has inspired composers since opera’s earliest days. Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. With a libretto by Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. Yannick Nézet-Séguin oversees the momentous Met premiere from the podium, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orli?ski as his otherworldly alter-ego. Bass-baritone Nathan Berg is Eurydice’s father and fellow resident of the underworld, with tenor Barry Banks as Hades himself."