I find the act of translation moving. The idea that something abides, from one language to another, and the humility and patience of the translator. Theater is on one level terribly local and provincial, you have to be there to see it, and there is so often where you live. This is wonderful. But it is also terrible. And so I wanted to share these translations, hoping that unforeseen connections might transpire, and to honor the work of the translators.
 

Arabic

THE CLEAN HOUSE by Dr. Fadi Skeiker

Chinese

THE CLEAN HOUSE by Chen Tian

French

DEAD MAN'S CELL PHONE by Isabelle Famchon

DEAD MAN'S CELL PHONE by Fanny Britt

EURYDICE by Julie Vatain-Corfdir

German

EURYDICE by Sabine Harbeke

IN THE NEXT ROOM, OR THE VIBRATOR PLAY by Ursula Grützmacher-Tabori

MELANCHOLY PLAY by Michel Büch

THE CLEAN HOUSE by Barbara Schatz-Scheußer

Greek

DEAD MAN'S CELL PHONE by Tatiana Tsitsani

EURYDICE by Dimitris Tarlow

Hebrew

IN THE NEXT ROOM, OR THE VIBRATOR PLAY by Eynat Baranovksy

Japanese

THE CLEAN HOUSE by Atsuro Hirota

Mandarin

DEAD MAN'S CELL PHONE by Han Zhao and Nan Zhang

Polish

DEAD MAN'S CELL PHONE by Malgorzata Semil

THE CLEAN HOUSE by Malgorzata Semil

Portugese

IN THE NEXT ROOM, OR THE VIBRATOR PLAY by Clara Carvalho

Russian

DEAD MAN'S CELL PHONE by Yury Urnov

Slovak

DEAD MAN'S CELL PHONE by Aslıhan Evrensel and Belgin Çallıoğlu

Spanish

DEAD MAN'S CELL PHONE by David Carrillo

EURYDICE by Rodrigo Vargas Díaz

IN THE NEXT ROOM, OR THE VIBRATOR PLAY by Gonzalo Rodríguez Risco

THE CLEAN HOUSE by Rodrigo Vargas Díaz

Turkish

DEAD MAN'S CELL PHONE by Aslıhan Evrensel

DEAR ELIZABETH by Susan Arslan

EURYDICE by Aclan Büyüktürkoğlu

THE CLEAN HOUSE by Aclan Büyüktürkoğlu