I find the act of translation moving. The idea that something abides, from one language to another, and the humility and patience of the translator. Theater is on one level terribly local and provincial, you have to be there to see it, and there is so often where you live. This is wonderful. But it is also terrible. And so I wanted to share these translations, hoping that unforeseen connections might transpire, and to honor the work of the translators.
 

Arabic

THE CLEAN HOUSE by Dr. Fadi Skeiker


Chinese

THE CLEAN HOUSE by Chen Tian


French

DEAD MAN'S CELL PHONE by Isabelle Famchon

DEAD MAN'S CELL PHONE by Fanny Britt

EURYDICE by Julie Vatain-Corfdir


German

THE CLEAN HOUSE by Barbara Schatz-Scheußer

EURYDICE by Sabine Harbeke

IN THE NEXT ROOM, OR THE VIBRATOR PLAY by Ursula Grützmacher-Tabori

MELANCHOLY PLAY by Michel Büch


Greek

DEAD MAN'S CELL PHONE by Tatiana Tsitsani

EURYDICE by Dimitris Tarlow


Hebrew

IN THE NEXT ROOM, OR THE VIBRATOR PLAY by Eynat Baranovksy


Japanese

THE CLEAN HOUSE by Atsuro Hirota


Mandarin

DEAD MAN'S CELL PHONE by Han Zhao and Nan Zhang


Polish

THE CLEAN HOUSE by Malgorzata Semil

DEAD MAN'S CELL PHONE by Malgorzata Semil


Portugese

IN THE NEXT ROOM, OR THE VIBRATOR PLAY by Clara Carvalho


Russian

DEAD MAN'S CELL PHONE by Yury Urnov


Slovak

DEAD MAN'S CELL PHONE by Aslıhan Evrensel and Belgin Çallıoğlu


Spanish

THE CLEAN HOUSE by Rodrigo Vargas Díaz

DEAD MAN'S CELL PHONE by David Carrillo

EURYDICE by Rodrigo Vargas Díaz

IN THE NEXT ROOM, OR THE VIBRATOR PLAY by Gonzalo Rodríguez Risco


Turkish

THE CLEAN HOUSE by Aclan Büyüktürkoğlu

DEAD MAN'S CELL PHONE by Aslıhan Evrensel

EURYDICE by Aclan Büyüktürkoğlu